My work constructs small worlds.
Working across ceramics, illustration, and installation, I create layered micro-environments where imagined ecosystems and observed forms coexist. Functional vessels, modular ceramic elements, and large-scale drawings become sites for storytelling—populated by plants, creatures, patterns, and rhythmic structures that reward close looking.
I am interested in the space between observation and imagination. Native flora, pollinators, woodland understory forms, and invented characters move fluidly across surfaces and into three-dimensional space. Through repetition, scale shifts, and modular systems, individual objects become habitats. Multiples become communities. Repetition becomes ecosystem.
Clay is central to this practice. Functional forms serve not only as domestic objects, but as narrative containers. Surface imagery extends across vessels, murals, and installations, allowing illustration and sculpture to operate as one continuous visual language. The tactile intimacy of ceramic form contrasts with immersive installations that transform walls into miniature landscapes.
At its core, my work invites viewers to slow down. In a culture of speed and digital flattening, I am drawn to smallness—to soil-level perspective, to the overlooked, to the quiet complexity of living systems. Through playful forms and layered environments, I aim to create spaces of curiosity, attention, and rediscovery.
